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FEMME NUE DEBOUT A SA TOILETTE by Bob Kessel
February 2nd, 2010 by admin

diamond-femme-nue-debout-a-sa-toilette-bob-kessel

FEMME NUE DEBOUT A SA TOILETTE by Bob Kessel

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“FEMME NUE DEBOUT A SA TOILETTE” by Bob Kessel, is from his art series “PICASSO IN PARIS” based on the works of Pablo Picasso. This picture and many others, can be purchased as signed and numbered limited edition original fine art prints. Contact Bob Kessel for prices and availability.

Picasso’s Variations On the Masters

Iconoclastic yet deeply rooted in the art of the past, Picasso endlessly copied, reworked, paraphrased and transformed well-known pictures by artists who obsessed him Manet, Velazquez, Ingres, Delacroix as well as images by Renoir, El Greco, Rembrandt, Gauguin, Degas, Cranach and Courbet.

In Picasso’s “variations” on these artists, he pits his powers of invention against the conventions of his predecessors. The detachment afforded by the variations enabled him to revitalize his art, to assess his own position in the western European tradition and to take up lifelong themes.

Throughout his career, Picasso used classic paintings as inspiration for his own work. Typically, the earlier paintings did not inspire just a single work, but a sequence of paintings, sometimes dozens of them.

Some of these sequences were inspired by Manet’s “Le déjeuner sur l’herbe” and Velasquez’s “Las Meninas”.

First, it shows that, for Picasso, art was a process, rather than a goal. As the sequences develop, we can see him continuously reinterpreting the original, changing directions, as a way of exploring the original and his reactions to it.

It is OK to be derivative (in the best sense). Our art culture places an extreme value on originality. The idea of copying great art, and being inspired by it to develop your own variations on a theme, is currently underappreciated, even though this technique has always been used by great artists. (In art, Van Gogh comes to mind. And in music, Bach, Mozart, and of course, all jazz musicians).


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