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ROY LICHTENSTEIN KISS by Bob Kessel
Nov 29th, 2009 by admin

lichtenstein-kiss

KISS  by Roy Lichtenstein after comic book

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KISS KISS by Bob Kessel
after Roy Lichtenstein after comic book

Bob Kessel’s art series “RECONSTRUCTING ROY” is based on the works of Roy Lichtenstein. This picture and many others, can be purchased as signed and numbered limited edition original fine art prints. Contact Bob Kessel for prices and availability.

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Roy Lichtenstein by Bob Kessel

“The big tradition, I think, is unity. And I have that in mind; and with that, you know, you could break all the traditions- all the other so-called rules, because they are stylistic.. and most are not true. As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist’s vision.”

- Roy Lichtenstein

MODERN SHUNGA by Bob Kessel
Nov 28th, 2009 by admin

Bob Kessel has created a new art series titled, “SHUNGA” based on Japanese woodblock prints. These pictures are available as limited edition original fine art prints, signed and numbered by the artist. Contact Bob Kessel for prices and availability.

Email:  b.kessel@snet.net • Phone: (860)334-9438


Recently there has been many new pictures added to Bob Kessel’s Shunga art series. It should come as no surprise to anyone that the shunga webpage receives 10 times the hits of any other Bob Kessel art series.

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SHUNGA WRAPPED by Bob Kessel
from SHUNGA art series

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SHUNGA LICKITY SPLIT by Bob Kessel
from SHUNGA art series

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SHUNGA YELLOW MAN by Bob Kessel
from SHUNGA art series

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SHUNGA DRAGON PILLOW by Bob Kessel
from SHUNGA art series

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SHUNGA FIREWORKS by Bob Kessel
from SHUNGA art series

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SHUNGA ARM by Bob Kessel
from SHUNGA art series

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SHUNGA COUPLE by Bob Kessel
from SHUNGA art series

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SHUNGA RED KIMONO by Bob Kessel
from SHUNGA art series

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SHUNGA KISS by Bob Kessel
from SHUNGA art series

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SHUNGA LEGS by Bob Kessel
from SHUNGA art series

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SHUNGA HAPPY ENDING by Bob Kessel
from SHUNGA art series

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SHUNGA KISSING by Bob Kessel
from SHUNGA art series

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SHUNGA KISSER by Bob Kessel
from SHUNGA art series

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SHUNGA GRAY LINES by Bob Kessel
from SHUNGA art series

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SHUNGA PRINT VIEWING by Bob Kessel
from SHUNGA art series

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SHUNGA ORGY by Bob Kessel
from SHUNGA art series

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SHUNGA HUG by Bob Kessel
from SHUNGA art series

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SHUNGA NIGHTTIME by Bob Kessel
from SHUNGA art series

SHUNGA EXPLAINED

Shunga are literally “images of spring.” That is the time of recreation and procreation, the time that inspires man and woman to couple, as if anyone needed an excuse. Shunga appeared prominently in the works of Hokusai, Utamaro, and many other revered woodcut artists.

In the Japan of the 1800′s, the color woodcut print was the most popular artform of the day. The artists of the so-called floating world or ukiyo-e portrayed real life personages and situations as the subject matter for their wood block prints. Ukiyo-e artists created extraordinary portraits of Kabuki Actors, Geisha, Sumo Wrestlers, and other notables, as well as landscapes and architectural views of old Japan. The incredible artistic output of these highly skilled artists left us an accurate view of life in the Japan of yesteryear. There was however another aspect to the art of the ukiyo-e that few Westerners have heard of, that is the art of shunga, or… the Images of Spring.

The production of such images kept most ukiyo-e artists very busy. In fact there were no artists of the time who remained uninvolved with the creation of shunga. The artists of the floating world many times created highly charged sexual imagery, erotic imagery, what Westerners would categorize as “pornographic” pictures.
Ukiyo-e artists created these “Images of Spring” without the slightest notion of embarrassment or shame. There was no stigma attached to the production, sale, or purchase of shunga artworks, in fact the market for such artworks was a lively and lucrative one. Erotic images were not illegal and collections of shunga were sold in book form, called enpon.

This artistic output on the part of Japanese artists had no equivalent in the Western art of that time and illustrates a completely different attitude about sex and morality. The aesthetics of shunga reflected the Japanese view of the body and sex as being part of the natural world, a world that held no concept of original sin.

It was a longstanding tradition that brides of feudal lords bring a collection of shunga to go along with their wedding furniture. There was also a tradition of feudal lords placing shunga in their helmet box whenever they had a new suit of armor made. These customs were a talismanic wish for eternal happiness and many artists made a comfortable living as a result.

The sale of shunga to a high-ranking person would bring enough money to sustain an artist for months, and so many notable, first rate and highly accomplished artists devoted themselves to this unprecedented artform. The level of detail with which ukiyo-e artists portrayed the human body revealed complete familiarity with anatomy and sexuality. Practically speaking the “Images of Spring” also served as a form of sex education for the sons and daughters of the well to do. This type of frank, accurate, and free representation of sexual matters was not to be seen in the West for at least another one hundred and fifty years.

There is limited knowledge of this artform outside of Japan, and in Japan itself shunga is scarcely seen or spoken of these days. However, the aesthetics of shunga still resonate in the contemporary world of certain manga and anime productions. The venerable art of shunga is the root for some modern day Japanese adult comic titles, proving without a doubt that eroticism in contemporary anime and manga is not at all a new phenomenon copied or borrowed from the West.

Those who are well acquainted with Japan’s enormous manga industry should be familiar with the genre of comic known as hentai (or “perverted”). These contemporary publications often focus on explicit “adult” material, but they have a clear artistic connection to the past in that their themes can be traced back to shunga. Shunga artworks are much more than mere “dirty pictures.”

The prints are of considerable artistry and cultural importance. In fact quite a few prestigious art museums around the world, especially in Japan, have collections of the highly prized risque prints (though they are not generally on public display).

Some scenes portrayed in shunga prints involve tender courting and romance, with all the attendant trappings of flirtation. Many of the prints offer scenes that leave nothing to the imagination. Couples are pictured in states of partial undress, in the throes of passionate lovemaking, utilizing a variety of positions and techniques.

There are even prints that depict lovely young ladies pleasuring themselves, a sight nearly totally absent from the annals of Western art! Whatever the sensual delights portrayed, the prints always manage to do so with sophistication and a certain elegance. Shunga prints are one of the overlooked treasures of traditional Japanese fine art. The “Images of Spring” should be properly recognized as high art, and at the same time preserved and studied for being one of the world’s greatest graphic art forms.

Print from the Bob Kessel art series "SHUNGA".

LAMP by Bob Kessel from SHUNGA art series

COMICS > LICHTENSTEIN > KESSEL
Nov 26th, 2009 by admin

“I begin with an idea and then it becomes something else.” - Pablo Picasso

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original comic book frame

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IN THE CAR by Roy Lichtenstein

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IN THE CAR by Bob Kessel

Bob Kessel’s art series “RECONSTRUCTING ROY” is based on the works of Roy Lichtenstein. This picture and many others, can be purchased as signed and numbered limited edition original fine art prints. Contact Bob Kessel for prices and availability.

PICASSO IN PARIS by Bob Kessel
Nov 21st, 2009 by admin

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SELF PORTRAIT by Pablo Picasso

Picasso was still a teenager when he first arrived in Paris. Alone in a strange city, we know he sampled the Pigalle girls because he memorialized his experience with the self portrait shown above.

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PICASSO IN PARIS by Bob Kessel
after Pablo Picasso

“PICASSO IN PARIS” by Bob Kessel, can be purchased as a signed and numbered limited edition original fine art print. Contact Bob Kessel for prices and availability.

Casagemas went to Paris with Picasso to see one of Picasso’s works at the Exposition Universelle, and afterward the pair remained in the city to enjoy a free-spirited bohemian lifestyle. Paris circa 1900 was a liberating place, and Picasso and Casagemas took in as much of the cafes, cabarets, and general wildness as they could afford. Things became complicated by Casagemas’ love for a young woman called Germaine, particularly when Germaine wanted to break off the affair and could not be persuaded otherwise.

Picasso and Casagemas returned to Spain, but Casagemas soon left for Paris again on his own. He was still tormented by Germaine and while with some friends at Montmartre’s L’Hippodrome Café, Casagemas pulled out a pistol and shouted at Germaine, “Voila, pour toi!” and fired at her. She collapsed to the ground and then Casagemas shouted, “Et voila, pour moi!” and shot himself in the temple. Casagemas was dead, but his first shot had missed Germaine. She had thrown herself on the floor as he fired the shot and was hiding under the table.

The news of Casagemas’ death left all the young men of his generation stunned, but none so much as Picasso. The events echoed in the mind of this young artist and he became haunted by grief, guilt, responsibility, the specter of death, and his own need for redemption and absolution. He tried desperately to internalize this horror but, back in Paris several months later, it detonated with explosive van Gogh-like brush strokes and intense colors.

Picasso painted “Head of the dead Casagemas” in 1901. It can be taken as a joke, or a visual pun, but he had discovered that a candle flame not only looks like a vagina, but indeed such a form should be present, since a vagina, after all, helped to destroy Casagemas.

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Head of the dead Casagemas by Pablo Picasso
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